If you can draw comics, the theory goes, you can also be a storyboard artist.
In fact, many comic book artists also do double-duty as storyboard guys. Stephen DeStefano is one. Keith Giffen is another.
If you have storyboard experience, then Nickelodeon is looking for you.
Another big week for people with money to throw around as Nickelodeon just bought the Teenage Mutant Ninja Turtles for $60 million. This is yet another reason why it’s great to hold onto your copyrights. If you’re just working on Batman And The Outsiders #128, you already know it’s a basically a boilerplate work-for-hire contract, but if you’ve created Dingo, Rescue Dog Of The Outback get that thing copyrighted in your name and hold onto it. Because it’s always better for you to have the control - and any related money - than it is to just give it away to a corporation. In the meantime, if you’re tired of reading about contract negotiations, take a look around the internet and discover what folks like Mo Willems, Alan Kupperburg, Bill Crider and Bruce Timm are up to. Here’s how you can fill up your weekend:
Alan Kupperburg: Steven Thompson over at Hooray for Wally Wood, has a nice interview with Alan talking about his days working for Wood. Great stuff. Here’s a taste: “So then he (Wood) asked me if I could pencil Cannon for him. I took the pages home and opened up my T.H.U.N.D.E.R. Agents and copied out the appropriate panels and adapted them to the situation. And Woody flipped out. He said, ‘You’re hired.’ Within three weeks I was also writing Sally and Cannon.”
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