I’ve been thinking over the last couple of years that with blogs, Twitter, Facebook, Flickr, podcasts, video and live internet feeds that you can probably have a decent out-of-town convention “experience” without leaving your house.
For example, the New York Comic Con is over and Tom Spurgeon at The Comics Reporter has the best con report: news reports, links, observations and opinions. He didn’t attend, but it’s hard to argue with his analysis.
Incredible: In case you haven’t heard, Marvel is developing a new TV series based on The Incredible Hulk. No doubt a “Get Lou Ferrigno A Role On The Show” Facebook page will be up by the end of the day.
Duck: Jaime Weinman poses a few questions in a post he calls “Disney And The Copyright Police.”
The New York Comic Con has come and gone for another year. And while you may not have been fortunate enough to attend, the spies who work for Comix 411 were there, watching, listening and recording. Here’s what they overheard.
10: “I wish DC and Marvel would drop their prices again.”
9: “Sold out?! In your face, San Diego!”
8: “I was promoted to VP of unemployment…”
7: “Is this the line for that Spider-Man musical?”
Read More | The Comics Reporter
Doesn’t everyone who’s not there wish they were at the New York Comic Con this weekend? Or is it just me?
Big announcements all across the board. Marvel and DC are cutting prices which won’t boost sales enough for the Big Two to make the same amount of money. But it’s good news for non-Big Two publishers who can try to tap into the money customers are saving and steer it their way. I’m looking at you Boom!, Dynamite, Moonstone and IDW.
DC’s also cutting the story count down to 20 pages. Since there aren’t that many paid ads anymore, anyone want to wager on when the $2.99 printed comics go from 32 pages down to 24 to further reduce costs?
And in the wake of his supervisor stepping down, Bob Wayne‘s been given a promotion and stays in New York. Well played.
At Project Child Murdering Robot, Ricky Sprague has some thoughts about the new Wonder Woman TV series in development by David E. Kelley (Ally McBeal; Boston Legal). His advice: “Please don’t shy away from her glorious bondage past.”
Toasting Toth: Who doesn’t love Alex Toth? John Kricfalusi posts panels from a really nice story and breaks down his love for it.
Toth II: Daniel Best at 20th Century Danny Boy has some great information of Alex Toth and the artist’s time in Australia. Bonus: lots of Toth artwork.
I make no secret of my love for Craigslist. Even with the loss of their adult services ads, it’s still a fun place to “shop” for career opportunities. Let’s see what’s out there:
Like to dress up? Getting ready to work on your Halloween costume for 2010? Don’t start yet, especially if you’re an inshape hottie. If you’re smart about it, you might be able to turn this year’s costume into a moneymaker for you.
For their 20th anniversary, a comic book store in Astoria, Queens, is looking for a “Lady Super Hero” who is “fit, friendly” and can provide her own costume.
The guy - and you just know it’s a guy - who’s in charge of the “lovely lady talent” says it’s a one-day only, five-hour shift from 3-8 PM and your duties will include: “Meet and greet customers, posing for pictures with customers if they have their own cameras, handing out fliers outside the store and be very nice and somewhat flirty to all customers.”
Some years ago, in the pre-Ultraverse of Malibu Comics the company had a chance to acquire the old Atlas/Seaboard comic book characters from two guys who claimed to have the rights.
It was very tempting at the time to pursue it – Atlas had a bunch of great characters created by folks like Howard Chaykin, Steve Ditko, Pat Broderick, Gary Friedrich, Mike Ploog, Larry Hama, Michael Fleisher, Ernie Colon, Neal Adams, Alex Toth, John Severin, Russ Heath, Wally Wood, and Mike Sekowsky and many others.
At the time, it would’ve been quite a boost to the company to acquire the characters: they had a certain brand recognition, a lot of sentimental fanboy attachment, and had only been out of the marketplace for less than 15 years or so at the time.
Once acquired, the plan would’ve been to try to round up the original creators – as many as possible - and launch a new Atlas universe that would be separate from the company’s other titles.
This weekend was the 4th annual New York Comic Con (NYCC).
I have been going to the NY Comic Con ever since it began four years ago. Before the NY Comic Con, I had been to several small conventions in the area over the years. When the NY Comic Con was started, I wasn’t planning on going because I figured the admission would be a bit expensive and I had a one year old boy at home. However, I discovered that since I’m a librarian, I could sign up as a “professional” and get in for free! Unfortunately, this year professionals didn’t get in for free and we had to pay a small admission price. However, we had our own separate entrance onto the convention floor and I got in just as things opened up.
Since I started going to the NYCC, my main concern besides seeing if I can get some cheap comics was getting my books graded by CGC. Over the past few years, I’ve gotten the following books from my collection graded “Incredible Hulk” #181, “Ultimate Spider-man” #1, and “Uncanny X-Men # 139. Getting your books graded by CGC can be expensive. It’s about $16 a book plus insurance and shipping. I decided this year would be different. I decided to get a few books graded, but this time, I decided to get them signed and graded.
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