Spain Rodriguez passed away following a lengthy illness. Spain was one of the great cartoonists to emerge from the underground comix movement of the 1960s.
He didn’t draw or write like any one else, either in underground comix or corporate mainstream comics and his work was always top-notch. I never had the pleasure of meeting him, but by all accounts, he was a good guy.
Here’s an article from The Comics Journal about his most recent work.
Art Spiegelman talks about his friendship with Spain.
And here’s his obituary from the San Francisco Chronicle.
[Artwork: Trashman by Spain Rodriguez]
Read More | Spain Rodriguez
I'm stuffed with the turkey of Thanksgiving, but there's always time to unstuff some of the internets. Let's take a look at things to read between naps.
This has gotten a lot of play, but it’s too funny to not link to: Tom Spurgeon at The Comics Reporter has compiled his list of the 10 Least Powerful People In Comics. Number five made me laugh out loud.
And Spurgeon does it again: I think Howard Cruse is one of the great cartoonists to have emerged from the Underground Comix movement. Spurgeon’s interview with him is an excellent read.
The Dandy, the long-running British comic book for kids, is getting cancelled in December and the line-up for the last issue is spectacular - 75 stories in a 100 page issue. I want one. Oh yes I do! Lew Stringer shares some details.
The hits just keep on coming as the comics industry starts looking like someone’s old four-color punching bag. On the heels of the cutbacks at Viz Media, now comes word that DC has shuttered their CMX imprint. And now you’re wondering, is this all just manga-specific or is it an early warning system for a greater industry-wide problem that we don’t want to talk about because…hey! Look! The new comics are here!
But that’s a question for people smarter than me to think about. I’m busy looking forward to July 22, where I’ll be at the Marriott bar in San Diego navel-gazing into my second Pale Ale. Now let’s read some fun stuff…
Brian Wood’s DMZ, Matt Bird makes the case that Hollywood should seriously consider adapting it. “We get angry when the occupied become insurgents, but we also can’t help but wonder: ‘What would I do if the war came to my town?’ That big, fat question needs to be vented on screen.”
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